Sameera’s career started with a Brit List placing screenplay Vivling. Her TV credits include three episodes of series one of BBC/Netflix show Get Even and two more in the second series. She’s written on the 10th series of The Dumping Ground on the BBC, and has worked with companies such as Netflix, Fremantle, Lime and ITV Studios. Sameera is writing Dusty, a feature biopic in development as a UK/Ireland co-production and a romcom feature film Princess on the Farm with Reel One in Canada.

Sameera enjoys exploring messy, challenging, complex anti-heroes in a bold, accessible, and entertaining way. She has a strong desire to explore stories from the perspective of those who aren't as often given the microphone, and is drawn to topics that tackle themes of injustice, psychological battles, and real life, real strength, endurance stories - both through a comedic and a dramatic lens.

Jordon is a working-class writer-director, born and raised on Dewsbury Moor Estate. He describes his writing as ‘very personal and cathartic’ and his stories are strongly influenced by his upbringing in a town that is largely disconnected from the rest of the UK and regularly misrepresented on television.

Jordon studied at the Northern Film School where he graduated with First Class Honours and two Best Picture wins. In 2020, he wrote and directed his first microbudget feature-length film Suicide Kelly which was nominated for Best Picture at British Urban - a BAFTA-accredited film festival.

Jordon recently worked with Channel 4 on his semi-autobiographical short film Youthless which has been picked up by Rollem for adaptation into a 6-part TV drama.

Matt Greenhough is a working-class writer from Sheffield who works across TV, Radio and Theatre. He was a member of the BBC Drama Room 2020-21 and is the founder and creative director of Wound Up Theatre.  His writing uses comedy to explore seismic issues through dark, character-led stories, informed by his background.

He has been described as “skilfully juxtaposing the poetic and mundane – a sweary Alan Bennett with funkier hair”. He's currently developing a script for Parts Of Life with Rollem, alongside a number of projects with other companies for the screen and stage, as well as The Death of Molly Miller for BBC Radio 4.

Having graduated from the University of Liverpool with a degree in Communication and Media, and is currently attaining a masters in Music Industry. 

Harry began his creative endeavours as a musician, drumming for various bands in Liverpool until he began a full-time career as the drummer for Crawlers. With a background in music journalism, Harry has recently begun pursuing creative writing with a topical focus on the live music industry and is developing a comedy with Sally Abbott and Rollem.

Through her poetry, spoken word and playwriting, Kirsty has always been a champion of her home city of Bradford, showcasing and giving voice to its unheard stories. During her time with Rollem, Leeds Playhouse and BBC Writers, Kirsty has been exploring stories of adoption and severance from the perspective of birth families, working with local birth mother groups to research and develop both a play and TV pitch which tells the stories of how and why children get taken into care, with authenticity, intricacy and integrity.